Alien Attack (Brain From Planet Arous / Cat-Women Of the Moon / Missile To the Moon / The Day It Comes To Earth)
Alien Attack (Brain From Planet Arous / Cat-Women Of the Moon / Missile To the Moon / The Day It Comes To Earth)
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Alien Attack (Brain From Planet Arous / Cat-Women Of the Moon / Missile To the Moon / The Day It Comes To Earth) Overviews
These aliens are armed and gunning for puny humans in four thrill-packed sci-fi hits. First, a power-mad bBRAIN FROM PLANET AROUS/b invades the mind of helpless John Agar, turning him into a black-eyed, cackling fiend capable of blasting planes from the sky! Then hapless astronauts on a mission discover sexy, ruthless bCAT-WOMEN OF THE MOON/b who don’t take kindly to trespassers on their lunar paradise. Then stick around a little longer for a remake of the same story, bMISSILE TO THE MOON/b, which tosses in giant spiders and rock creatures for maximum monster mayhem. Finally, return to home planet for bTHE DAY IT CAME TO EARTH/b, when a flaming meteor crash-lands in a small swamp town and unleashes a shambling zombie terror. You’ll never look at the stars the same way again after this queasy quartet of extra-terrestrial epics!
Alien Attack (Brain From Planet Arous / Cat-Women Of the Moon / Missile To the Moon / The Day It Comes To Earth) RelateItems
- Drive-In Double Feature: Creation of the Humanoids/War Between the Planets
- Village of the Damned/Children of the Damned
- Terror in the Midnight Sun / Invasion of the Animal People (Special Edition)
- World Without End/Satellite in the Sky
- Spaceways
Alien Attack (Brain From Planet Arous / Cat-Women Of the Moon / Missile To the Moon / The Day It Comes To Earth) CustomerReview
These films set the cheese factor higher than the whole state of Wisconsin. The special effects are neither special nor effective. The only thing less believable than the plots are the actors. The number of visible wires is only exceeded by the number of cliches. Make yourself ready for a romp through the psyche of the time and stand in awe of how far we’ve come. This is the Science Fiction of the 1950s where suspension of disbelief was the only art form available. And yet, half a century later some of us still love them. Why? Because for the imagination that craved more than a police drama, a romance, a soap, a western or a war story–this was it. There was nothing else. Because, well, they were fun. The films in this collection are wonderful examples of how to tell a story with no help from the studios, no computer effects, no scientific background and a budget of four dollars and seventy three cents. Young people, when you view them please forgive these movies their glaring flaws because without them there could never have been a Star Wars, a Transformers, a Spiderman or a hundred others titles.
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