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One Day in September Review

One Day in September Overview

THE 1999 ACADEMY AWARD WINNING DOCUMENTARY FEATURE PROVIDES EXPLOSIVE NEW INSIGHTS INTO THE 1972 MUNICH MASSACRE, THE HORRENDOUS MURDERS OF ELEVEN ISRAELI ATHLETES BY A GROUP OF PALESTINIAN EXTREMISTS. SPECIAL FEATURES: TALENT FILES: BONUS TRAILERS: INTERACTIVE MENUS: PRODUCTION NOTES AND MUCH MORE.
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[if On September 5, 1972, eight Palestinian terrorists killed two Israeli athletes and took nine others hostage at the Munich Olympic Village. The event stopped the games, gripped the world, and perhaps for the first time fully illustrated the volatile state of affairs in the Mideast to the world. Kevin Macdonald's 1999 Academy Award(r)-winning documentary painstakingly reconstructs the events, shedding light on what the world saw on television with the exasperating revelation of behind-the-scenes blunders.p This visceral, tense film uses riveting news footage to great effect, weaving in affecting interviews. Macdonald mourns the deaths of the innocent Olympic hostages and dutifully gives a voice to the Palestinian cause through interviews with Jamal al-Gashey, the only survivor of the eight terrorists, who briefly came out of hiding for the film. He earnestly but half-heartedly sketches a picture of the social and political situation that fueled the act, reserving his anger for the grossly unprepared German police force. The tragedy that erupted at the Fürstenfeldbruck air base becomes all the more upsetting in light of the incompetence and unforgivable mistakes: botched rescues, poor planning, bad intelligence, and lack of contingency plans. Even the irresponsibility of the media circus gets off lightly. It's a sobering, angering, often frustrating piece of non-fiction cinema, a thorough piece of historical research brought to life with an angry immediacy. Macdonald simply doesn't know what lessons to draw from it all. I--Sean Axmaker/I]

One Day in September Specifications

On September 5, 1972, eight Palestinian terrorists killed two Israeli athletes and took nine others hostage at the Munich Olympic Village. The event stopped the games, gripped the world, and perhaps for the first time fully illustrated the volatile state of affairs in the Mideast to the world. Kevin Macdonald’s 1999 Academy Award(r)-winning documentary painstakingly reconstructs the events, shedding light on what the world saw on television with the exasperating revelation of behind-the-scenes blunders.p This visceral, tense film uses riveting news footage to great effect, weaving in affecting interviews. Macdonald mourns the deaths of the innocent Olympic hostages and dutifully gives a voice to the Palestinian cause through interviews with Jamal al-Gashey, the only survivor of the eight terrorists, who briefly came out of hiding for the film. He earnestly but half-heartedly sketches a picture of the social and political situation that fueled the act, reserving his anger for the grossly unprepared German police force. The tragedy that erupted at the Fürstenfeldbruck air base becomes all the more upsetting in light of the incompetence and unforgivable mistakes: botched rescues, poor planning, bad intelligence, and lack of contingency plans. Even the irresponsibility of the media circus gets off lightly. It’s a sobering, angering, often frustrating piece of non-fiction cinema, a thorough piece of historical research brought to life with an angry immediacy. Macdonald simply doesn’t know what lessons to draw from it all. I–Sean Axmaker/I

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