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What do Raggedy Ann dolls, grizzly bears, Texas papershell pecans, and country music legend Patsy Cline have in common? They are all wondrously American phenomena, as much a part of our national heritage as the flag. What about the Golden Gate Bridge, Wurlitzer jukeboxes, sizzling hot Louisiana pepper sauce, and comedian Jack Benny? The connection is the same‹they are in USA to Z. P One of the most compelling and delightful popular culture treasuries published in decades, USA to Z tells the story of Ivory Soap and the Model-T Ford, probes the intricate glories of Navajo rugs and Frank Lloyd Wright architecture, and celebrates the genius of Benny Goodman and Humphrey Bogart. Organized from A to Z, it is a whimsical collection of more than 350 of our country¹s finest products, richest traditions, and most inspiring people. P Readers will learn, laugh, and‹as a bonus‹find out how they can personally enjoy each and every one of the great things mentioned in the book. How to make a Dagwood sandwich. How to buy a little Radio Flyer wagon for their kids. Where to see a dancing armadillo. Just keep turning the pages. It¹s probably here.
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American Indian Ethnic Renewal: Red Power and the Resurgence of Identity and Culture Feature
American Indian Ethnic Renewal: Red Power and the Resurgence of Identity and Culture Overviews
Does activism matter? This book answers with a clear “yes.” emAmerican Indian Ethnic Renewal/em traces the growth of the American Indian population over the past forty years, when the number of Native Americans grew from fewer than one-half million in 1950 to nearly 2 million in 1990. This quadrupling of the American Indian population cannot be explained by rising birth rates, declining death rates, or immigration. Instead, the growth in the number of American Indians is the result of an increased willingness of Americans to identify themselves as Indians. What is driving this increased ethnic identification? In emAmerican Indian Ethnic Renewal/em, Joane Nagel identifies several historical forces which have converged to create an urban Indian population base, a reservation and urban Indian organizational infrastructure, and a broad cultural climate of ethnic pride and militancy. Central among these forces was federal Indian “Termination” policy which, ironically, was designed to assimilate and de-tribalize Native America. Reactions against Termination were nurtured by the Civil Rights era atmosphere of ethnic pride to become a central focus of the native rights activist movement known as “Red Power.” This resurgence of American Indian ethnic pride inspired increased Indian ethnic identification, launched a renaissance in American Indian culture, language, art, and spirituality, and eventually contributed to the replacement of Termination with new federal policies affirming tribal Self- Determination. emAmerican Indian Ethnic Renewal/em offers a general theory of ethnic resurgence which stresses both structure and agency–the role of politics and the importance of collective and individual action–in understanding how ethnic groups revitalize and reinvent themselves. Scholars and students of American Indians, social movements and activism, and recent United States history, as well as the general reader interested in Native American life, will all find this an engaging and informative work.
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Culture Smart! provides essential information on attitudes, beliefs and behavior in different countries, ensuring that you arrive at your destination aware of basic manners, common courtesies, and sensitive issues. These concise guides tell you what to expect, how to behave, and how to establish a rapport with your hosts. This inside knowledge will enable you to steer clear of embarrassing gaffes and mistakes, feel confident in unfamiliar situations, and develop trust, friendships, and successful business relationships.brbrCulture Smart! offers illuminating insights into the culture and society of a particular country. It will help you to turn your visit-whether on business or for pleasure-into a memorable and enriching experience. Contents includebrbrbr* customs, values, and traditionsbr* historical, religious, and political backgroundbr* life at homebr* leisure, social, and cultural lifebr* eating and drinkingbr* do’s, don’ts, and taboosbr* business practicesbr* communication, spoken and unspokenbrbrbr”Culture Smart has come to the rescue of hapless travellers.” iSunday Times Travelbrbr/i”… the perfect introduction to the weird, wonderful and downright odd quirks and customs of various countries.” iGlobal Travelbrbr/i”…full of fascinating-as well as common-sense-tips to help you avoid embarrassing faux pas.” iObserverbrbr/i”…as useful as they are entertaining.” iEasyjet Magazinebrbr/i”…offer glimpses into the psyche of a faraway world.” iNew York Timesbr/i
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As Nathan Huggins once stated, altering American history to account fully for the nation’s black voices would change the tone and meaning–the frame and the substance–of the entire story. Rather than a sort of emPilgrim’s Progress/em tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre’s emNo Exit/em than to the vision of life in Bunyan.brbr The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading scholars has come together to examine the role of historical consciousness and imagination in African-American culture. The result is a complex picture of the dynamic ways in which African-American historical identity constantly invents and transmits itself in literature, art, oral documents, and performances.brbr Each of the scholars represented has chosen a different “site of memory”–from a variety of historical and geographical points, and from different ideological, theoretical, and artistic perspectives. Yet the book is unified by a common concern with the construction of an emerging African-American cultural memory.brbr The renowned group of contributors, including Hazel Carby, Werner Sollors, Vèvè Clark, Catherine Clinton, and Nellie McKay, among others, consists of participants of the five-year series of conferences at the DuBois Institute at Harvard University, from which this collection originated. Conducted under the leadership of Geneviève Fabre, Melvin Dixon, and the late Nathan Huggins, the conferences–and as a result, this book–represent something of a cultural moment themselves, and scholars and students of American and African-American literature and history will be richer as a result.
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DIVIn 2006 Zacarias Moussaoui became the first person to stand trial in the US for the events of September 11 2001. This timely book provides a close insight into the Moussaoui case from an anthropological perspective.Katherine C. Donahue was present at the trial. Based on first-hand evidence, this book provides a unique picture of an al-Qaeda convert in the process of forming his identity just when he is calling the death sentence upon himself. It is the story of an extra-national opposition to western democracy, seen through the experience of a man who calls himself a ’slave of Allah’.The book begins with his arrest and moves to the courtroom, telling the tale of Moussaoui’s struggle with his defense lawyers, and raising questions about his ability to be ‘represented’ — his national and personal identity. Donahue explores his background in France as the son of Moroccan immigrants, and follows him to London, Afghanistan and Malaysia as he joins the growing fraternity of an Islam without borders. He acquires an extra-national identity in which his loyalty is no longer constituted by his national identity — but by his allegiance to fundamentalist Islam./DIV
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emSaints in Exile/em studies, from an insider’s perspective, the worship practices and social ethics of the African American family of Holiness, Pentecostal, and Apostolic churches known collectively as the Sanctified Church. Cheryl Sanders identifies the theme of emexile/em, both as an idea and an experience, as the key to understanding the dialectical nature of African American religious and intellectual life, that W.E.B. Du Bois called “double-conscious.” Sanders’s emsaints in exile/em are a people who see themselves as “in the world but not of it”; their marginalized status is both self-imposed and involuntary, a consequence of racism, sexism and other forms of elitism. When joined with the biblical tropes of homecoming and reconciliation, the concept of emexile/em serves as a vital vantage point from which to identify, critique, and remedy the continued alienation of blacks, women, and the poor in the United States.brbr Sanders’s interpretive approach clarifies many paradoxical features of black existence, especially the peculiar interplay of the sacred and the secular in African American song, speech, and dance. She particularly scrutinizes gospel music, a product of the Sanctified worship tradition that has had a significant influence on popular culture. emSaints in Exile/em goes further than any previous study in illuminating the African American experience; it will be welcomed by scholars and students of American religion, African American studies, and American History.
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Comic Art of the United States through 2000, Animation and Cartoons: An International Bibliography (Bibliographies and Indexes in Popular Culture) Overviews
pPart of a ten-volume bibliography series on comic art compiled by John A. Lent during the past decade, this volume provides more information on U.S. and Canadian comic art, animation, caricature, and gag, political, illustrative, and magazine cartoons than any other printed source in the world. Lent, founding editor of iInternational Journal of Comic Art/i and longtime scholar of cartooning globally, takes great pains to be exhaustive, representative, and accurate in providing 11,367 citations of books, chapters, articles, and fugitive materials gleaned from a variety of sources worldwide, including about 400 periodicals and journals./pp/ppEasy to use, incorporating a well-structured outline that includes categories and sub-categories, Lent spans every conceivable aspect of comic art. Other features include periodical directories for both Canada and the United States with addresses, typical contents, and inaugural dates of 101 comic art-related journals, magazines, and fanzines, and citations to hundreds of cartoonists and animators and their characters and works. Undoubtedly, this volume and the other nine in the Greenwood/Praeger series are unequalled as the definitive comic art bibliographies./p
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The Psychology of Harry Potter: An Unauthorized Examination of the Boy Who Lived (Psychology of Popular Culture series) Overviews
div** COMPLETELY UNAUTHORIZED **/divdiv /divdivLeading psychologists delve into the world and characters of Harry Potter in this revealing look at J. K. Rowling’s constructed universe, using the characters and their puzzling situations to offer insight into real-world psychology. Designed to appeal to both fans of pop culture and students of psychology, this unique blend of scholarship and contemporary criticism consists of essays by professional psychologists hailing from schools and clinical practices throughout the world. Every major area of psychology is covered as the contributors tackle such heady questions as iIs Harry a cranky adolescent or suffering from real post-traumatic-stress disorder?/iiIs Voldemort evil incarnate or a misguided boy now twisted beyond recognition?/i and iIs Snape treacherous or struggling for redemption?, /irevealing the fictional world’s complex psychological brew.br/div
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I have been teaching AP Psychology and this book is perfect! Many students are familiar with Harry Potter, so I'm going to refer this book during the school year. Not bad that I am a big fan of Harry Potter. I did not agree with any psychological theory, but there was much to consider. Fun for those of us who want to analyze.
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